*please note that the programme is subject to change*
Thursday 14th June 2018
| 09:00 | Registration |
| 09:20 | Welcome |
| 09:30 | Panel A Chair: Clare Wilson
Music in Polish Romantic Epic Poetry Jan Czarnecki Friedrich Kiel – Mondnacht: Tracking the Composer’s Interpretation of the Poem Bianca Schumann Max Reger reads Richard Dehmel, or: the Inner Truth of Venus Stefan Gasch |
| 11:00 | Coffee |
| 11:30 | Keynote
Between Literature and Music: Immobilism, Incompatibility and Incomprehension Peter Dayan |
| 12:30 | Lunch |
| 13:30 | [Parallel Panels]
Panel B Chair: Ruth Jacobs “Rereading Histories: Music, Literature, and the Study of Ancient Cultures – the Case of Early China” Avital Rom Written Life to sung office: transmission of ideas between the early- and late-medieval cult of St Columba’ Andrew Bull Music in postcolonial literature Christin Hoene Panel C Chair: Katerina Kaimaki A Poet’s Composer: André Caplet and the mélodie Clare Wilson Setting Greek Modernist Poetry to Music: The Emergence of Art-Popular [Entechhno Laiko] Song Christina Michael The Margins of a Discourse: Jazz Poetry, Music and the ‘Space Between’ Helen Bailey
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| 15:00 | Coffee |
| 15:30 | Panel D Chair: Pierre Degott
Poetic Forms and Musical Structures: a performance presentation Ralph Bateman Invisible Music – Angela Carter and the prosodic influences of folk song Hippolyta Paulusma The Art of Improvisation in Literature and Music Marijan Dović |
| 17:00 | End of Day 1 |
Friday 15th June 2018
| 09:00 | [Parallel Panels]
Panel E Chair: Jan Czarnecki Fluid Eroticism: Wagner According to Mann and Musil Axel Englund Spreading the Wagnerian gospel? The evolution of the Revue Wagnérienne from exegetic publication to Symbolist laboratory of ideas Adeline Heck “This is the music which makes men mad”: Hungarian Nervous Music in Fin-de-Siècle Gay Literature Zsolt Bojti Panel F Chair: Hippolyta Paulusma “Setting Music to Music. Mallarmé, Boulez, and the Transformation of Thought” Johanna Spangenberg Exploring and Experiencing the “Melophrasis”: Music in Prose as an Intermedial Genre? Therese Wiwe Loebner Caryl Phillips’s Use of Music as a Policy of Visibility and Identity Construction Giulia Mascoli |
| 10:30 | Coffee |
| 11:00 | [Parallel Panels]
Panel G Chair: Avital Rom The Viegli Foundation Dace Zariņa, Žanete Grende and Janis Holsteins-Upmanis Popular Music and Literary Adaptation Alex Jeffrey Musical Biography and the (non-)consonance of music and literature Chris Wiley Panel H Chair: Rachael Durkin Literature for music: libretto-reading in eighteenth-century France and England Pierre Degott Music and Magic in the Dramatic Configuration of the comedia histórica ‘Carlos Quinto sobre Túnez’ (1709) Carlos González Ludeña Early Venetian Opera and Incogniti Literature Carlo Bosi |
| 12:30 | Lunch |
| 13:30 | Panel I Chair: Peter Dayan
From Goethe’s Novel to Massenet’s Opera: The Sorrows of Young Werther and the Dramaturgical Development of the Suicide Scene Katerina Kaimaki Literary sources, techniques and traditions in the operas of Sergei Prokofiev Christina Guillaumier (Re)-enacting Violence: The Musical Reality of Storytelling in George Benjamin and Martin Crimp’s Opera, Written on Skin Ruth Jacobs |
| 15:00 | End of Conference |
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